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Lecturer(s)
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Kavan Jiří, doc. Ing. CSc.
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Course content
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1. Video as an example of a multimedia project: screenplay, shooting preparation, editing, postprocessing, sound design, archiving, distribution, display. 2. Multimedia: contents, classification. Introduction to multimedia standards, MPEG standards. Copyright law. 3. Sound: definition, basic properties (loudness, pitch, timbre), psychoacoustics. Frequency analysis. Recording chain, sound reproduction and recording. 4. Sound: overview of mixing process. Introduction to digital signal processing, discrete Fourier transform, FIR filters. Equalization, dynamic processors, DDL based effects, reverberation. 5. Sound: analogue vs. digital. Multichannel audio storage. MIDI. Sampling, aliasing, quantization, dithering. Lossless audio compression - decorrelation, entropy coding. Principles of lossy audio compression - (A)DPCM, subband, transform coding. Examples (MPEG-1 Audio Layer I-II-III etc.) 6. Image: camera-display chain. Cameras, sensor size. Photometry. Exposure. Lenses, focal length, depth of field, photographic filters. Artificial scene illumination. 7. Image: still and moving picture digitalization. Aspect ratio - history, standards, conversion. Frame rate - psychovisual aspects, motion perception, flickering, interlacing, standards, conversion. 8. Image: resolution - psychovisual aspects, standards (TV, motion picture, photography), sampling and reconstruction. 9. Image: luminance quantization, imaging chain, system gamma. Digital colour, matrixing, colour spaces, chroma subsampling. 10. Static image storage and compression. Image file format structure. Raw camera data. Lossless compression methods - RLE, dictionary, arithmetic coding. DCT based methods, JPEG. DWT based methods, EZW algorithm. Current trends in image compression. 11. Video compression principles. Requirements, overview of techniques. Intra coding, bitrate control. Inter coding, coder-decoder connection, motion compensation, GOP. Overview of standards: MPEG-2, MPEG-4 AVC, VC-1, WebM / VP9, DNxHD, HEVC. 12. Multimedia distribution. Historic context. Building blocks: elementary strems, time multiplex, playlist. Multimedia data processing overview. Container structures. Multimedia distribution over internet. Multimedia support in operating systems. 13. Displays. Current and historic display technologies. Projectors.
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Learning activities and teaching methods
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Interactive lecture, Lecture with practical applications, One-to-One tutorial, Individual study
- Contact hours
- 65 hours per semester
- Individual project (40)
- 40 hours per semester
- Preparation for an examination (30-60)
- 50 hours per semester
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| prerequisite |
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| Knowledge |
|---|
| understand formal mathematical notations (mathematical analysis, linear algebra) |
| understand notation of algorithms in common programming language or pseudocode |
| read professional texts in English (e.g. program manuals) |
| describe the basic physical behavior of light and sound |
| Skills |
|---|
| use the apparatus of mathematical analysis and linear algebra |
| implement non-trivial algorithms in a common programming language |
| user control the PC |
| Competences |
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| N/A |
| N/A |
| N/A |
| learning outcomes |
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| Knowledge |
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| from the area of acquisition, editing and archiving of audio recordings |
| from the field of acquisition, editing and archiving of image and video recordings |
| from the field of computer processing of multimedia data |
| from understanding the connections between individual areas |
| Skills |
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| clearly describe the methods of acquisition, processing and archiving of multimedia data |
| propose a suitable method of acquisition, digitization, processing and archiving of multimedia data |
| apply theoretical knowledge to practical solutions to selected problems |
| Competences |
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| N/A |
| N/A |
| N/A |
| teaching methods |
|---|
| Knowledge |
|---|
| Lecture |
| Lecture with visual aids |
| Individual study |
| Seminar |
| Students' portfolio |
| One-to-One tutorial |
| Skills |
|---|
| Seminar |
| Laboratory work |
| Project-based instruction |
| Students' portfolio |
| Competences |
|---|
| Lecture supplemented with a discussion |
| Seminar |
| Students' portfolio |
| assessment methods |
|---|
| Knowledge |
|---|
| Combined exam |
| Project |
| Skills |
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| Combined exam |
| Project |
| Competences |
|---|
| Oral exam |
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Recommended literature
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Alton, John. Painting with light. Berkeley : University of California Press, 1995. ISBN 0-520-08949-9.
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Birn, Jeremy; Maestri, George. Digital lighting and rendering. Indianapolis : New Riders, 2000. ISBN 1-56205-954-8.
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Bláha, Ivo. Zvuková dramaturgie audiovizuálního díla. 2., dopl. vyd. Praha : Akademie múzických umění, 2006. ISBN 80-7331-010-4.
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Bosi, Marina; Goldberg, Richard E. Introduction to digital audio coding and standards. Berlin : Springer, 2003. ISBN 1-4020-7357-7.
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Brandenburg, Karlheinz; Kahrs, Mark. Applications of digital signal processing to audio and acoustics. Boston : Kluwer Academic Publishers, 1998. ISBN 0-7923-8130-0.
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Drew, Mark S. Fundamentals of multimedia. Upper Saddle River : Pearson Prentice Hall, 2004. ISBN 0-13-061872-1.
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Everest, F. Alton. Critical listening skills for audio professionals. Boston : Thomson, 2007. ISBN 978-1-59863-023-7.
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Gibson, David. The art of mixing : a visual guide to recording, engineering, and production. 2nd ed. Boston : Thomson Course Technology, 2005. ISBN 1-93114-045-6.
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HANZO, Lajos - CHERRIMAN, Peter J. - STREIT, Jeurgen. Video compression and communications: from basics to H.261, H.263, H.264, MPEG2, MPEG4 for DVB and HSDPA-style adaptive turbo-transceivers. Chichester: J. Wiley & Sons, 2007. ISBN 978-0-470-51849-6.
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Huber, David Miles; Runstein, Robert E. Modern recording techniques. 6th ed. Amsterdam : Elsevier, 2005. ISBN 0-240-80625-5.
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Huber, David Miles; Williams, Philip. Professional microphone techniques. Vallejo : MixBooks, 1998. ISBN 0-87288-685-9.
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Hunt, R. W. G. Measuring colour. 3rd ed. Kingston-upon-Thames : Fountain Press, 1998. ISBN 0-86343-387-1.
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Hunt, R. W. G. The reproduction of colour. 6th ed. Chichester : John Wiley & Sons, 2004. ISBN 0-470-02425-9.
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Jack, Keith. Video demystified : a handbook for the digital engineer. 5th ed. Amsterdam : Elsevier, 2007. ISBN 978-0-7506-8395-1.
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Jan, Jiří. Číslicová filtrace, analýza a restaurace signálů. 2., upr. a rozš. vyd. V Brně : VUTIUM, 2002. ISBN 80-214-1558-4.
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Kang, Henry R. Color technology for electronic imaging devices. Bellingham : SPIE Optical Engineering Press, 1997. ISBN 0-8194-2108-1.
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Katz, Bob. Mastering audio : the art and the science. Oxford : Focal Press, 2002. ISBN 0-240-80545-3.
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Kučera, Jan. Střihová skladba ve filmu a v televizi. 2. dopl. vyd. Praha : Akademie múzických umění, 2002. ISBN 80-7331-896-2.
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LaBarge, Ralph. DVD authoring & production. Lawrence : CMP Books, 2001. ISBN 1-57820-082-2.
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LOWE, David - HALL, Wendy. Hypermedia & the Web : an engineering approach. Chichester : John Wiley & Sons, 1999. ISBN 0-471-98312-8.
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Manjunath, B. S.; Salembier, P.; Sikora, Thomas. Introduction to MPEG-7 : multimedia content description interface. Chichester : Wiley, 2002. ISBN 0471486787.
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Mašek, Jan. Základy tvorby audiovizuálního pořadu a fotografie. Plzeň : Západočeská univerzita, 2000. ISBN 80-7082-608-8.
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MOULTON, David. Golden ears the revolutionary CD-based audio eartraining course for musicians, engineers and producers. Sherman Oaks : KIQ Productions, 1995.
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Newell, Philip. Recording studio design. 1st pub. Boston : Focal Press, 2003. ISBN 0-240-51917-5.
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Owsinski, Bobby. The mixing engineer's handbook. 2nd ed. Boston : Thomson Course Technology, 2006. ISBN 1-59863-251-5.
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Owsinski, Bobby. The recording engineer's handbook. [S.l.] : Artistpro Publishing, 2005. ISBN 1-93292-900-2.
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Pihan, Roman. Mistrovství práce s DSLR : vše, co jste chtěli vědět o digitální zrcadlovce a nikdo vám to neuměl vysvětlit. Vyd. 1. Praha : Institut digitální fotografie, 2006. ISBN 80-903210-8-9.
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Poynton, Charles. Digital video and HDTV algorithms and interfaces. San Francisco : Morgan Kaufmann Publishers, 2003. ISBN 1-55860-792-7.
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Reisz, Karel; Millar, Gavin. The technique of film editing. 2nd ed. Amsterdam : Focal Press, 2002. ISBN 0-240-51437-8.
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Smith, Steven W. Digital signal processing : a practical guide for engineers and scientists. Amsterdam : Newnes, 2003. ISBN 0-7506-7444-X.
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TAUBMAN, David S. - MARCELIN, Michael W. JPEG2000: Image compression fundamentals, standards and practice. New York: Springer, 2002. ISBN 0-7923-7519-X.
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Taylor, Jim; Johnson, Mark R.; Crawford, Charles G. DVD demystified. 3rd ed. New York : McGraw-Hill, 2006. ISBN 0-07-142396-6.
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Vít, Vladimír. Televizní technika : přenosové barevné soustavy. Praha : BEN, 1997. ISBN 80-86056-04-X.
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VLACHÝ, Václav. Praxe zvukové techniky. 2. aktualiz. vyd. Praha : Muzikus, 2000. ISBN 80-86253-05-8.
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Watkinson, John. The art of digital audio. Oxford : Focal Press, 2001. ISBN 0-240-51587-0.
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Watkinson, John. The art of digital video. 3rd ed. Oxford : Focal Press, 2000. ISBN 0-240-51586-2.
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Watkinson, John. The MPEG handbook : MPEG-1, MPEG-2, MPEG-4. 2nd ed. Amsterdam : Elsevier, 2004. ISBN 0-240-80578-X.
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WYSZECKI, Günther - STILES, W. S. Color science: concepts and methods, quantitative data and formulae.. New York: Wiley, 2000. ISBN 0-471-39918-3.
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