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Lecturer(s)
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Slováčková Vlasta
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Kuželová Košťáková Marketa
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Choisnel Lenka, MgA.
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Polach Milan, MgA.
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Course content
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Weeks 1 - 13 Cut design. Cut editing manipulations. Focus on "Light Couture" - shirts,dresses ... New non-traditional forms of clothing. Expression of own creative work.
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Learning activities and teaching methods
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Cooperative instruction, Instruction based on dialogue, One-to-One tutorial, Group discussion, Skills demonstration, Task-based study method, Seminar classes, Students' self-study, Lecture with visual aids, Seminar
- Presentation preparation (report) (1-10)
- 10 hours per semester
- Contact hours
- 39 hours per semester
- Undergraduate study programme term essay (20-40)
- 30 hours per semester
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| prerequisite |
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| Knowledge |
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| basic knowledge of manipulating procedures with garment cutter designing by human body, applies and develops the knowledge of the garment cutter designing for the ready-to-wear production and independent creation, knows the basic proportional canons of the body, important for custom creation and for theater, film and advertising costumes, about drawing procedures and composing 3D product sketches in 3D editors and free hands, |
| Skills |
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| uses manipulating procedures with garment cutter designing by human body, chooses appropriate garment cutter designing for the ready-to-wear production and independent creation, identifies basic proportional canons of the body, important for custom creation and for theater, film and advertising costumes, sketches the design variants of the produced product with respect to its technical functionality and aesthetic qualities, selects the most dramatic variant with regard to the input (style and target group), |
| Competences |
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| take decisions individually and responsibly, on the basis of a framework contract comprehensibly and convincingly communicate to experts and laymen information about the nature of professional problems and their own opinion on their solution, to acquire further professional knowledge, skills and competencies on the basis |
| N/A |
| N/A |
| N/A |
| learning outcomes |
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| Knowledge |
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| profound knowledge of manipulating procedures with garment cutter designing by human body, applies and develops profound knowledge of the garment cutter designing for the ready-to-wear production and independent creation, knows profound knowledge about human body ergonomics, important for custom creation and for theater, film and advertising costumes, |
| Skills |
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| to use an expanded range of manipulating procedures with garment cutter designing by human body, to choose appropriate garment cutter designing for the ready-to-wear production and independent creation with deeper understanding, to identify profound knowledge about human body ergonomics, important for custom creation and for theater, film and advertising costumes, to choose appropriate garment cutter designing based on a purpose of a product, |
| Competences |
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| independently and responsibly, decides in new or changing contexts or in a fundamentally evolving environment, taking into account the wider social implications of their decision-making comprehensibly and convincingly inform their experts and the wider public about their own professional opinions |
| N/A |
| N/A |
| N/A |
| teaching methods |
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| Knowledge |
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| Lecture with visual aids |
| One-to-One tutorial |
| Skills |
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| Skills demonstration |
| Discussion |
| Competences |
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| Discussion |
| assessment methods |
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| Knowledge |
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| Seminar work |
| Continuous assessment |
| Skills |
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| Skills demonstration during practicum |
| Individual presentation at a seminar |
| Competences |
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| Individual presentation at a seminar |
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Recommended literature
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Pluháčková, J. Konstrukce střihů dámských oděvů. Praha: Státní pedagogické nakladatelství, 1999.
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Poršová, M. Materiály technické konfekce. Praha: Státní nakladatelství technické literatury, 1990.
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Souček, J. Aranžérské materiály. Praha: Merkur, 1988.
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Steiner, J. Šitie a opravy kožušníckych výrobkov. Bratislava: Alfa, 1986.
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Velíková, E. Oděvní technologie III.. Praha: Informatorium, 2003.
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