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Lecturer(s)
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Course content
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1. Theoretical introduction to the discipline of drawing. 2. Perspective - angular visualisation. 3. Proportions, drawing figures in geometric stylization. 4. Drawing focused on the proportions and perspective. 5. Anatomy - gradual introduction. 6. The capture of expression. 7. Capturing human emotions. 8. Theoretical introduction to painting disciplines. 9. Pads for painting. 10. Mixing colors, realistic colors. 11. Monochrome painting figures. 12.- 13. Color stylization hyperbole.
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Learning activities and teaching methods
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Students' portfolio, One-to-One tutorial, Skills demonstration, Individual study, Lecture with visual aids, Practicum
- Contact hours
- 78 hours per semester
- Undergraduate study programme term essay (20-40)
- 70 hours per semester
- Presentation preparation (report) (1-10)
- 10 hours per semester
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| prerequisite |
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| Knowledge |
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| to recognize the basic drawing and painting elements and their funcionality in the creative process (point, area, color, modelation, lights and shadows) to show basic theoretical knowledge of stylization of figures and motives and its effecs, to recognize basic functions of imaging human body in arts and dependance of chosen techniques on those functions with reference to several renowed authors to show basic knowledge about usage of digital technologies for drawing and painting, |
| Skills |
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| to work with basic drawing and painting mediums and techniques by hand and digital tools on basic level, to work independently and flexibly react to evaluating commentary of the teacher, to apply the knowledge to image spacial objects and relations between them and verify their elaboration into own work (measurement and comparison of proportions, composition), to see the basic differences and specifications based on individual character of imaged person or scene, |
| Competences |
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| N/A |
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| learning outcomes |
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| Knowledge |
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| of deeper understanding of basic elements of drawing and painting composition and its possibilities for medial illustration, in choosing different drawing and painting techniques depending on the aim of creative work, (atmosphere, character), of basic anatomy and physiology of human body needed for its imaging, of effects of color and proportion qualities of image and evaluation of those from level of absolute realism to hyperbole and symbolic meanings, |
| Skills |
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| of work with different tools of drawing and painting usable for medial illustration, modeling of the matter by lights and shadows, to work with color in both realistic and hyperbolic and symbolic means, to capture and work with non-verbal signs of human body in drawing and painting (expression and emotions, gestures, mimics) to image specific individual character and features of a specific model (body and face structure, individual particularities) in scales of realism and hyperbole, |
| Competences |
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| N/A |
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| teaching methods |
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| Knowledge |
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| Skills demonstration |
| Group discussion |
| One-to-One tutorial |
| Skills |
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| Individual study |
| Students' portfolio |
| Competences |
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| Discussion |
| assessment methods |
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| Knowledge |
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| Individual presentation at a seminar |
| Continuous assessment |
| Skills |
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| Skills demonstration during practicum |
| Seminar work |
| Competences |
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| Skills demonstration during practicum |
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Recommended literature
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Bammes, Gottfried. Figürliches Gestalten : ein Leitfaden für Lehrende und Lernende. Berlin : Volk und Wissen volkseigener Verlag, 1981.
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Bendová Helena. Umění počítačových her. Praha : AMU, 2016. ISBN 978-80-7331-421-7.
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Crhák, František. Výtvarná geometrie. Praha : Státní pedagogické nakladatelství, 1977.
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Graffová K., Oliverová C. Svět XX. století od post.impresionismu po digital art. Albatros Praha, 2003.
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Kol. aut. Digitální malířské techniky. ISBN 978-80-251-3627.
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Lea, Derek. Mistrovství v Adobe Photoshop : [digitální ilustrace a škola výtvarných technik]. Vyd. 1. Brno : Computer Press, 2009. ISBN 978-80-251-2340-9.
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Paul, Christiane. Digital art. 2nd ed. New York : Thames & Hudson, 2008. ISBN 978-0-500-20398-9.
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Zrzavý, Josef. Anatomie pro výtvarníky. Praha : Avicenum, 1977.
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