Course: Listening analysis 1

» List of faculties » FPE » KHK
Course title Listening analysis 1
Course code KHK/POA1
Organizational form of instruction Lecture + Seminary
Level of course Bachelor
Year of study not specified
Semester Winter and summer
Number of ECTS credits 3
Language of instruction Czech
Status of course Compulsory
Form of instruction Face-to-face
Work placements This is not an internship
Recommended optional programme components None
Lecturer(s)
  • Zoubek Lukáš, Mgr. Ph.D.
  • Maršálek Petr, doc. Mgr. Ph.D.
Course content
1. listening as an experience of music and flow analysis, the question of the subject of listening, emotion and form 2. antiquity and the beginnings of Western European music, ancient sources, chorale and unison 3. origins of polyphony, ARS NOVA and Franco-Flemish high polyphony 4. the rise of instrumental music, vocal-instrumental and stage forms, mass and opera 4.1. baroque concerto, fugue, suite 5. sonata cycle and symphony, cyclic forms 5.1. concerto and string quartet 6. early 19th century art song, programme music and symphonic poem, characteristic pieces and improvisations 7. classical-romantic synthesis

Learning activities and teaching methods
  • Contact hours - 26 hours per semester
  • Undergraduate study programme term essay (20-40) - 52 hours per semester
prerequisite
Knowledge
to chronologically rank the basic developmental social stages to assign selected Czech or world composer personality to the epoch of musical history at secondary school level
Skills
to chronologically rank the basic developmental social stages to assign selected Czech or world composer personality to the epoch of musical history at secondary school level
Competences
N/A
learning outcomes
Knowledge
Explain and define the basic concepts used in musical analysis.
Explain the basic techniques of musical analysis.
Systematically analyze selected listening tracks.
To formulate the main compositional features of the main musical styles.
To formulate the main features of the compositional style of the main world and Czech composers.
Skills
Describe and analyze selected musical style / style / composition separately and place them in the context of development.
Compare selected musical style / style / composition with other styles / styles / compositions.
Competences
N/A
teaching methods
Knowledge
Lecture with visual aids
Interactive lecture
Skills
Seminar
Task-based study method
Textual studies
Competences
Seminar
assessment methods
Knowledge
Skills demonstration during practicum
Portfolio
Test
Skills
Test
Portfolio
Skills demonstration during practicum
Competences
Skills demonstration during practicum
Recommended literature
  • HAVLÍK, J. (ed.). Rozumět hudbě. Praha: NAMU. 2015.
  • HONS, M. Hudební analýza. Togga. 2010.
  • KÜHN, C. Analyse lernen. , Bd. 4. Kassel: Bärenreiter Verlag, Studienbuch Musik, 2005.
  • MICHELS, U. Encyklopedický atlas hudby. Nakladatelství Lidové noviny. 2000.
  • SMOLKA, J. et al. Dějiny hudby. Togga. 2001.
  • VIČAR, J. a R. DYKAST. Hudební estetika. Praha: HAMU. 2001.


Study plans that include the course
Faculty Study plan (Version) Category of Branch/Specialization Recommended year of study Recommended semester