Lecturer(s)
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Vilímec Gerhard, Prof. Mgr. MgA. Ph.D.
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Course content
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The subject is intended for doctoral students who, in addition to their scientific work, also produce high-quality artistic outputs in the field of composition (or only editing), interpreting (choirmaster, instrumental, singing) or dramaturgy. Artistic creations are individually consulted with one of the above mentioned teachers according to their focus. The subject deepens the artistic focus and the creative experience of the students. The most important artistic outputs are included in the Register of Artistic Outputs (RUV).
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Learning activities and teaching methods
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- Individual project (40)
- 130 hours per semester
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prerequisite |
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Knowledge |
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Art work. |
Skills |
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Interpretation skills |
Competences |
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He is oriented in the field of contemporary music theory and is able to conceptualize the topic of his dissertation also in a music theoretical and music historical context. |
learning outcomes |
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Knowledge |
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Art work. |
Skills |
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Interpretation skills |
Competences |
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He is oriented in the field of contemporary music theory and is able to conceptualize the topic of his dissertation also in a music theoretical and music historical context. |
teaching methods |
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Knowledge |
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Textual studies |
Skills |
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Self-study of literature |
Competences |
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Self-study of literature |
assessment methods |
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Knowledge |
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Oral exam |
Skills |
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Practical exam |
Competences |
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Combined exam |
Recommended literature
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Podle zaměření osobnosti a disertační práce..
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BEZDĚK, Jiří. O jedné neobvyklé cestě výzkumu techniky interpretace. Praha: HAMU. 2020.
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FRANZ, Vladimír. Hudební dramaturgie [online]. Praha. 2004.
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Kvěch, Otomar. Základy klasické hudební kompozice: Poznámky pro budoucí skladatele.. Praha: Togga, 2013.
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LESTER, Joel. Performance and Analysis: Interaction and Interpretation?. (Cambridge: Cambridge University Press, 1995).
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SCHMALFELDT, Janet. On the Relation of Analysis to Performance: Beethoven's "Bagatelles" Op. 126, Nos. 2 and 5, Music Analysis, 29/1. 1985.
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Zich, Jaroslav. Kapitoly a studie z hudební estetiky.. Praha: Supraphon, 1975.
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