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Lecturer(s)
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Course content
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1. Subject and screenplay of the film. 2. Film production, technical means of film-making and their choice depending on the subject. 3. /Film crew/. 4. HDTV, HDV, Digital Cinema in connection with recording and distributing video. 5. Aesthetics of film images. 6. Audio and video film dramaturgy. 7. Color correction of images in film and video. 8. Contemporary documentary film in the Czech Republic. 9. Documentary film and its genres 1. 10. Documentary film and its genres 2. 11. Genres of feature film 1. 12. Genres of feature film 2 . 13. Genres of feature film 3.
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Learning activities and teaching methods
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Lecture with a video analysis, Lecture with practical applications, Project-based instruction, Multimedia supported teaching, Students' portfolio, One-to-One tutorial, Skills demonstration, Task-based study method, Individual study, Lecture with visual aids, Practicum
- Contact hours
- 39 hours per semester
- Individual project (40)
- 40 hours per semester
- Undergraduate study programme term essay (20-40)
- 30 hours per semester
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| prerequisite |
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| Knowledge |
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| To have basic knowlegde of using a camcorder, sound, editing software. |
| to compare and analyze different artistic expressions by criteria of esthetics, semiotics and technique on advanced level related to film creation, to specify professional knowledge of supporting arts disciplines and their techniques and technologies, options of overlop of film production to other disciplines, to reproduce knowledge about advanced visual means suitable for movie creation and their usage by different tools and editors, |
| Skills |
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| to be able to use on advanced tools and means of work with camera, sound and editing softwares and to apply theoretical knowledge about them on technical and technological level, to design visual graphics metaphors with erudition on options of movie creations, to draw a simple scenario for a basic film unit, in a few steps to describe the story through means of artistic expression, to work independently and flexibly react to evaluating commentary of the teacher, to show own creativity on generally assigned task, to show the will to find different artistic solutions, alter them and constructivelly evaluate |
| Competences |
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| N/A |
| N/A |
| N/A |
| learning outcomes |
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| Knowledge |
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| of professional terminology of film production and its techniques and technologies, about advanced technological procedures of film acquisition and processing of videorecording, about their usage in both conventional and unconventional ways, about advanced stylistic forms of movie, about its artistic forms, about dependance of scenario creating on real options of production, |
| Skills |
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| to apply professional theoretical knowledge of techniques and technologies in iwn work, in their choosing and working with them, to select the appropriate means for implementation of audiovisual work by estimating its difficulty and suitable organization of work of a team and of an individual, to draw up a scenario of a movie and its realization with implementation of the film with image, sound and postproduction components, to present own work to be able to find suitable solutions for particular implementation, |
| Competences |
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| N/A |
| N/A |
| N/A |
| teaching methods |
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| Knowledge |
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| Lecture with a video analysis |
| Lecture supplemented with a discussion |
| Multimedia supported teaching |
| Skills |
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| Individual study |
| Students' portfolio |
| One-to-One tutorial |
| Competences |
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| Discussion |
| assessment methods |
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| Knowledge |
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| Continuous assessment |
| Project |
| Skills |
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| Seminar work |
| Competences |
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| Individual presentation at a seminar |
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Recommended literature
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Baran, L. Zázraky filmového obrazu. Praha, 1989.
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Bunuel, Luis. Do posledního dechu. Vyd. 2. Praha : Bookman, 2004. ISBN 80-903455-0-6.
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Fellini, F. Dělat film. Praha, 1986.
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Field Syd. Jak napsat dobrý scénář, Rybka Publishers, 2007.
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Forman, M., Novák, J. Co já vím, aneb co mám dělat, když je to všechno pravda?. 2007.
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Henninges, Heiner. Video : filmování bez váhání. Vyd. 1. Praha : Grada, 1996. ISBN 80-7169-387-1.
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Jasný, V. Život a film. 1999.
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Juřica, Jan. Video na počítači. Vyd. 1. Praha : Computer Press, 2002. ISBN 80-7226-650-0.
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Kolektiv autorů. Avid Media Composer /Basic Guide/.
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Long, Ben; Schenk, Sonja. Velká kniha digitálního videa. Brno : CP Books, 2005. ISBN 80-251-0580-6.
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Malý, Svatopluk. V zajetí filmu - vzpomínky kameramana, Národní filmový archiv, 2008. Národní filmový archiv, 2008.
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Mathausová, Milena. 12 pádů scenáristiky : Scenáristický slabikář. Praha : Victoria Publishing, 1996.
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Nykvist, S. Úcta ke světlu. 1999.
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on-line katalogy knihoven. on-line katalogy knihoven.
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Špáta, J. Okamžiky radosti. Praha, 2002.
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Töteberg, Michael. Lexikon světového filmu. Praha : Orpehus, 2005. ISBN 80-903310-7-6.
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Vávra, V. Zamyšlení režiséra. 1982.
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Zapletal, Petr. Videotechnika : tv, videorekordéry, videokamery, příslušenství a jak správně natáčet. 2. vyd. Olomouc : Rubico, 1997. ISBN 80-85839-15-6.
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