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Lecturer(s)
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Vilímec Gerhard, Prof. Mgr. MgA. Ph.D.
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Course content
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Acquisition of up-to-date knowledge of music theory with a focus on the chosen topic of the dissertation. The content of the course is specified each year partly jointly for the whole group of doctoral students and partly individually with regard to the professional focus of specific doctoral students, in agreement with their supervisors. The lecture focuses selectively on the latest findings in music theory. The course also includes independent work by students and group discussion of their papers. After completing the course, doctoral students are better oriented in the field of contemporary music theory and are able to conceptualize the topic of their dissertation also in music theoretical and music historical contexts. They will also become familiar with some of the practical experiences of leading musicologists and music theorists.
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Learning activities and teaching methods
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- Presentation preparation (report) (1-10)
- 210 hours per semester
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| prerequisite |
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| Knowledge |
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| Knowledge from the field of musical theory in the scope of university curriculum. |
| Skills |
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| Music skills in the range of college subjects. |
| Competences |
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| N/A |
| He is oriented in the field of contemporary music theory and is able to conceptualize the topic of his dissertation also in a music theoretical and music historical context. |
| learning outcomes |
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| Knowledge |
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| knowledge of the current state of knowledge of musical theory |
| Skills |
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| application of posten in musical forms, analysis of musical works - directed to the topic of dissertation |
| Competences |
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| He is oriented in the field of contemporary music theory and is able to conceptualize the topic of his dissertation also in a music theoretical and music historical context. |
| teaching methods |
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| Knowledge |
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| Task-based study method |
| Skills |
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| Lecture supplemented with a discussion |
| Competences |
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| Internship |
| assessment methods |
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| Knowledge |
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| Oral exam |
| Skills |
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| Written exam |
| Competences |
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| Oral exam |
| Written exam |
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Recommended literature
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Risinger, Karel. Hierarchie hudebních celků v novodobé evropské hudbě. 1969.. Praha: Panton,, 1969.
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Risinger, Karel. Nauka o hudební tektonice 20. století.. Praha: Akademie múzických umění, hudební fakulta,, 1998.
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Spurný, Lubomír. Heinrich Schenker (1868-1935): kapitoly z hudební teorie a analýzy.. Praha: KLP,, 2012.
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Talašová, Jana a Jan Stoklasa. Matematický model pro multikriteriální hodnocení výsledků tvůrčí umělecké činnosti. RUV: Metodika a segmenty [online]..
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Tichý, Vladimír, Jaromír Havlík, Tomáš Krejča a Petr Zvěřina. (A)tonalita.. Praha: NAMU, 2015.
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Tichý, Vladimír, Tomáš Krejča a Petr Zvěřina. Scelovací prostředky.. Praha: NAMU, 2017.
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