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Lecturer(s)
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Rajchl Milan, MgA. Mgr.
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Juřina Miloš, Prof. akad. mal.
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Course content
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1. Introduction to basic concepts and principles in the technique of drawing and creation of authentic artwork. Drawing and its possibilities in the context of all art disciplines 2. Technological basics. What are we drawing on? What do we draw? Practical exercises using angle technique 3. Resolution between dry and wet materials for drawing. Fix and apply artwork. Exercise for shape and light contrast 4. Basics of drawing. Equilibrium rule. Grouping into format. Track the whole. Exercises for spatial and compositional variations of atelier still life 5. Point, line. An abstract atelier exercise on the theme of a real still life or a landscape cut 6. Subject and non-subject distinction, drawing handwriting 7. Surface, shape, space in the subject and non-objective view 8. Light, color, in the subject and non-objective view 9. Harmony, order, and composition variations towards the individuality of the expression 10. Authenticity of own drawing and ability of expressive gesture, or impressive variations. Color Extreme. Form Destruction and Entropic Component in Art and Drawing 11. Fiction principle. Magnification, exaggeration and stylization 12. Thematic drawing composition as an expression of structured art thinking 13. Free cycle. Overlaps and variations. Importance of author's attitude and response to authority
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Learning activities and teaching methods
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- Preparation for an examination (30-60)
- 40 hours per semester
- Practical training (number of hours)
- 39 hours per semester
- Individual project (40)
- 20 hours per semester
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| prerequisite |
|---|
| Knowledge |
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| to describe principles of the perspective; |
| to describe some basic expressive means of drawing; |
| to clarify some specifics of study drawings; |
| to justify the meaning of drawing for the artist. |
| Skills |
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| to treat sensitively the expressive means of drawing; |
| to use basic dry drawing techniques and drawing drawings with fixation means; |
| to express space, shape, light, shadow by drawing; |
| to draw sketches, study drawings and preparatory drawings for other techniques. |
| Competences |
|---|
| N/A |
| N/A |
| N/A |
| learning outcomes |
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| Knowledge |
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| to recognize the linear way of drawing and its means of expression - point, line, surface; |
| to explain the difference between study and spontaneous character of drawing; |
| to describe basic human and animal anatomy; |
| to perceive artwork as a separate artistic discipline in the historical context. |
| Skills |
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| to correctly express the shape, volume and space in still life, architecture and landscape; |
| to use individual composition plans; |
| to capture motion; |
| to experiment with the possibilities of drawing with basic dry techniques. |
| Competences |
|---|
| N/A |
| N/A |
| N/A |
| teaching methods |
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| Knowledge |
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| Discussion |
| Multimedia supported teaching |
| One-to-One tutorial |
| Group discussion |
| Self-study of literature |
| Field trip |
| Skills |
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| Students' portfolio |
| Skills demonstration |
| Individual study |
| Seminar |
| Practicum |
| Competences |
|---|
| Seminar |
| Task-based study method |
| Collaborative instruction |
| assessment methods |
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| Knowledge |
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| Skills demonstration during practicum |
| Individual presentation at a seminar |
| Skills |
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| Skills demonstration during practicum |
| Portfolio |
| Seminar work |
| Competences |
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| Individual presentation at a seminar |
| Continuous assessment |
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Recommended literature
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Vitamin D: New Perspectives In Drawing. London: Phaidon, 2016. ISBN 9780714857138.
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BROOKE, Sandy. Drawing as expression: techniques and concepts. Upper Saddle River, N.J.: Pearson Education, 2007. ISBN 0131940058.
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Crhák, František. Výtvarná geometrie plus : geometrická gramatika (nejen) pro designéry. 1. vyd. Brno : VUTIUM, 2012. ISBN 978-80-214-3767-8.
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Norling, Ernest R. Perpective Made Easy. London : Dover Publication, 1999.
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Petříček, M. a Velíšek, M. Pohledy (které tvoří obrazy). Praha: Univerzita Karlova, Pedagogická fakulta, 2012. ISBN 978-80-7290-584-3.
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Sawdon, P. a R. Marshall. . Drawing Ambiguity: Beside the Lines of Contemporary Art. I.B.Tauris, 2015. ISBN 1784530697.
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SWAN, A. Botanical Portraits with Colored Pencils.. Barron´s Educational Series. Hardcore, 2010. ISBN 978-076416978.
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Uhl Skřivanová, Věra. Umoped - srdcesvět. Plzeň: Západočeská univerzita v Plzni, 2018. ISBN 978-80-261-0788-0.
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VAŇKOVÁ, P. umění je abstrakce: obrazy, kresby, grafika, sochy. Praha: Kulturní Jižní město, 2022. ISBN 978-80-908148-5-1.
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ZELENKOVÁ, P., (ed.). Linie, světlo, stín: výběr z mistrovských děl evropské grafiky a kresby 16.-18. století : sbírka grafiky a kresby Národní galerie Praha. Praha: Národní galerie Praha, 2019. ISBN 978-80-7035-727-9.
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