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Lecturer(s)
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Course content
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Students of master's program can enroll in this course as in so-called second studio. Weeks 1 - 13 Introduction to the semester, information about the course. Assigning semester project. Analysis of the assignment, sketches, designs technology solutions, selecting the most appropriate option - consultation with the teacher. Ongoing compliance with studio sub-tasks. Continuous production of the project - consultation with teacher. Demonstrating invention, unconditional willingness to continuously improve craftwork skills. Submitting the semester project. Presentation.
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Learning activities and teaching methods
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Lecture with practical applications, Project-based instruction, Instruction based on dialogue, Students' portfolio, One-to-One tutorial, Skills demonstration, Seminar classes, Individual study, Lecture, Lecture with visual aids
- Contact hours
- 130 hours per semester
- Individual project (40)
- 60 hours per semester
- Preparation for an examination (30-60)
- 45 hours per semester
- Graduate study programme term essay (40-50)
- 40 hours per semester
- Presentation preparation (report) (1-10)
- 10 hours per semester
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| prerequisite |
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| Knowledge |
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| on creative procedures for visualizing proposed variants of the work, on the possibilities of forming basic materials, about the ways of thematic compositional and material relations in relation to the given topic of creation, about historical and contemporary style canons, about the form of presentation of the work |
| Skills |
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| proposes variants of the monogram for both surface and relief applications, design a jewel for another person (brooch, necklace, ring, etc.) revitalizes and templates the style of affinity with the future user of jewelry, realizes the final form of artifacts, resolves the work piece adjustment (etuije, boxes) presents his work |
| Competences |
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| N/A |
| N/A |
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| learning outcomes |
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| Knowledge |
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| about creative procedures for visualizing proposed variants of the work, about the possibilities of forming basic materials, about the ways of thematic compositional and material relations in relation to the given topic of creation, about historical and contemporary style canons, about the form of presentation of the artwork, designing variants with a view to correctly linking the function and aesthetic qualities of the artwork |
| Skills |
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| suggests variants of object, object, jewelry, both in flat and spatial layout, designs a jewel with regard to the intended target group, revitalizes and templates the stylistic affinity of his own work and other artists, chooses the appropriate technology of model production and the technological process of artifact production, realizes the final form of artifacts, resolves the work piece adjustment, presents his work |
| Competences |
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| N/A |
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| teaching methods |
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| Knowledge |
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| Students' portfolio |
| One-to-One tutorial |
| Seminar classes |
| Skills |
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| Skills demonstration |
| Students' portfolio |
| Competences |
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| Discussion |
| assessment methods |
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| Knowledge |
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| Seminar work |
| Continuous assessment |
| Skills |
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| Skills demonstration during practicum |
| Practical exam |
| Project |
| Competences |
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| Seminar work |
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Recommended literature
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Bouška, Vladimír; Kouřimský, Jiří. Atlas drahých kamenů : [doplň. učeb. pomůcka přírodověd. vyučování na školách 1. a 2. cyklu]. Praha : SPN, 1980.
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Cepka, Anton. Šperky a objekty. Bratislava: Slovenská národná galéria, 1996. ISBN 80-85188-66-X.
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Křížová, Alena. Kov - šperk 1993. Brno: Dům umění, 1993.
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Křížová, Alena. Proměny českého šperku na konci 20. století. Vyd. 1. Praha : Academia, 2002. ISBN 80-200-0920-5.
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Stehlíková, Dana. Encyklopedie českého zlatnictví, stříbrnictví a klenotnictví. Praha : Libri, 2003. ISBN 80-85983-90-7.
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